Monthly Archives: August 2018

New work, aiming for far shores….and London, and Edinburgh…and pictures of my exhibition at Herrick Gallery, from last Autumn…

I’ve had a productive Summer, with many lovely long days in my studio. I’ve been listening to music each day, especially by  young counter-tenors Filippo Mineccia and Jakob Jozef Orlinski. The timbre of the music helps me to find the clarity I need to work well. Shetland continues to inspire me and I hope to return there before long.

I also realised I haven’t posted pictures of the show at Herrick Gallery last October. So here they are!

Framed works sequence Herrick Gallery 2017 Spirit Sequence Herrick Gallery Oct 17 Kate at Herrick Gallery show October 2017  Horse Sequence Herrick Gallery Oct 17  Lone babe sequence Herrick Gallery Oct 17

My work will soon be represented in New York which is very exciting news….

and I’ve an exhibition opening at Arusha Gallery in Edinburgh on February 28th, 2019. The exhibition will host the launch of my new book, Shetland Notebooks.

Here are a few examples of new work…which is mostly on a larger scale…

Ascending Figure with ghost bones KW 30 x 42 cm 2018 small file Child with Earth Fragment 50 x 70cm 2018 KW Deep Space, Infant KW 2018 50 x 70 cm small file All the cords KW 2018 50 x 70 cm small file Bird with boy Ghost in Lapis KW 50 x 70cm 2018 small file Foetus with throat and crown cords KW 2018 50 x 70cm small file Ghost with cocoon KW 2018 30 x 42 cm small file Horse with Breast Mountain on Lapis Lake  Matrix Cave Dream 50 x 70 cm KW 2018 small file Memory KW 50 x 70cm 2018 small file Sequence 1 KW 70 x 100cm 2018 Watercolour small file

 

 

I’ve had a productive Summer, with many lovely long days in my studio. I’ve been listening to music each day, especially by  young counter-tenors Filippo Mineccia and Jakob Jozef Orlinski. The timbre of the music helps me to find the clarity I need to work well. Shetland continues to inspire me and I hope to… Read more »

Jam on the Marsh, July 2018, Romney Marsh

Angelica at Dungeness

After a long and hot drive via a swim at Charmouth (very hot car without air-conditioning!) and staying overnight with friends in Dorset, I arrived on the beautiful Romney Marsh. Even as you leave Rye something changes. It’s like stepping back in time: the roads narrow, become twisty; there are railway tracks with barely any gates; animals graze in mixed herds on flat land and there’s a painter’s sky. You glimpse fine churches with sloping roofs dating back over a thousand years; vegetables for sale beside the road, and a sense of mystery in the air. I was welcomed by Angie, Richard and Fred – and their very beautiful flowers – tall sentinels, silent songs….

Beach at Littlestone  Hollyhock peach  cropped hollyhock small file

I’d barely arrived when it was time to go to St. Nicholas Church in New Romney for a programme of music performed by voces8 and the Canterbury Cathedral Girls’ Choir.

Driving down the motorway in the on the way I’d listened to Radio 3 and heard a marvellous piece sung by voces8 (https://www.bbc.co.uk/programmes/b0b8bk8z )- I’d wept as I drove, thinking, ‘how on earth am I going to work tonight, to not cry?!’

I found myself a place to sit near the front,  to one side, where I hoped to be unobtrusive. I was working with the sound of the music, rather than the visual aspect, at this stage. I found a little table and placed my watercolour sticks, oil pastels and sketchbooks within easy reach. It was important that I did not make a sound to disturb the performers or the audience – I was very mindful of this and felt that I hardly breathed during any of the performances!

Inside St Nicholas church  listening to Vespers with Bird

Here are some notes I made during the concerts:

voces 8: 

Angels are here, in the air moving down with the sound. Golden sound.

The song is made of colour.. mother folds it all in.. 

Magnificat brings halo and a great crown of many horns and foliage boughs

Moondance – a drawing of a golden child/chrysalis – power of music to liberate, to enhance movement towards individuation

 

Ave Maria  – holding form, enclosing form, comfort; also bridge, all-seeing eye;

Dove: In beauty may I walk – orange band, vertical figures/strokes

 I hear song; I create ground

Music forms a Spirit cloud above, impregnates the ear, is born in cells; I can make myself a safe ground in sound.

The human voice was prominent on this first evening.  I felt a golden quality, a purity, a roundness, a bell-like resonance. The following day I sat in Angie and Richard’s lovely kitchen and began to work from my notes and my quick drawings. What emerged were watercolours in yellows and golds, exploring what happens to the cells of the body as the music is heard and absorbed. Listening to the music, feeling it tranforming the body, had the effect of instilling in me the feeling that I could create my own ground, a safe ground, through it’s transforming and purifying qualities. It’s like having every cell of one’s being stroked and restored.

Angie Rose smaller file   Golden Song Riding on the Wings of Song

I was also feeling that the music provided wings which could carry and support, like a marvellous etheric horse….or bird… or winged creature… like this moth, an elephant hawk moth, which I found one night in the house where I was staying…

Moth with watercolours small file     Moth elephant hawk

The beautiful pink and greeny gold of its wings and fur inspired me to soften my palette. I am always influenced by the beauty of Nature which I find around me when I work; most mornings in Littlestone I walked and took in the beauty of the air, the squealing swifts, the red tower, the open beach, the grey-green sea foliage, the white dog, and the black horse…

Tower with swifts    Boat at Dungeness KW 2018 Nessie    Foliage 20180707_171745   BBC Singers taking a bow

Rachmaninov Vespers

was performed by  the BBC Singers conducted by Michael Zaugg. It was remarkable. I was fortunate enough to hear some of the rehearsal, and I was struck by the intense ‘Russianness’ of the singing, and of the deep mood. I had a good position to one side, and I made a number of drawings and quite a few notes:

The force of the music pushing against my chest is explored through a series of quick drawings. The power and richness of the sound provides a body/earth-opening/splitting implement. 

The song finds the earth’s navel, hollows it out, makes a nest. Has a round end like the tip of a colossal thigh bone resting in the earth’s newly made socket….

and the earth is opened by song; when the air itself sings it wraps the human form, makes it new.

Song finds earth's navel    when the air itself sings

 Heart meets song; extends vision. Pierced by music. Makes me two;splits me in half (initiation).

Journeys into itself, bids us accompany.

Swift squeal in sky above. Purity. 

Roof breast for/to sky

Roof as woman’s body

Sky drinks milk

the bones below

Flesh floats up

sound on my chest   20180708_110110

20180708_110048  20180708_110131

 I think of the steppe, of tightness in the chest; waiting.

Hum, chatter, waiting for the deep, the song sea, the high, the bathing of spirit

- song as air become liquid to bathe the spirit.

We are sung into being.

20180726_141620   Fragment

giving birth to babe through song small file  Baby singing herself small file KW

Infant singing herself

Bach 48 

this was a wonderful day in two churches – one in the fields, in the quiet, surrounded by tall stems and grasses and wind (St. Mary the Virgin church, St. Mary in the Marsh); the other in the atmospheric St. Leonard’s Church of Hythe, with it’s fine organ and Ossuary.

Gothic arch Ossuary 2018  the ends of thigh bones  Skull with nest  The Ossuary Hythe KW 2018 JAM

Drawings of Linda Nicholson (the brilliant keyboard player)becoming a raptor, a fierce focussed bird crouched over the keyboard as she plays.

Organ:  reverberations cause the body fluids to move, to change, to flow: the body flows. 

Music perceived as pink; pink substance imprinting the cells – music as doorway, the opener of the channels..two sequences coming together, as my dream of two separated poles winding together and apart at the same time, making a sequence of new animals on the greeny-blue gel which is moving between them… 

Music as bridge over swimming souls.

The organ reaches out to me, wrapping air in gold  

I rest in the flood and

Air bunches in prayer. 

Notes as nodes in a net of sound

 

Rocking a baby

Deep comfort

A safe father

Fatherly in a kind way

Reaching across

Purity

Different emotional qualities of voice and organ

Organ resonates deeply with the cells of my body: I sob.

Kneeling Horse with Infant  Horse with Sea Crown watercolour

On the last Saturday I worked with my ‘hollow bone’ technique, using my drum and monotype equipment, with people in Sussex and Kent who had booked to have a session with me. The work is sacred, powerful and confidential, so I will not write about any details here. Grahame Davies, the Welsh poet worked alongside me and contributed his own experiences to the participants. It worked very well.

Oil on monotype glass KW JAM small file

On the last night in New Romney, I gave myself the treat of sitting in the front row, near the London Mozart Players. As I was so close I knew I couldn’t use anything wet. I also didn’t have a table, so I just worked with my notebooks and pencils, and this time, more in respnse to the movements of the conductor than to the way the music affected me. Daniel Cook contains a lot of energetic charge in his body when he conducts, and it was a great pleasure to draw him – but I had to be very quick! I also made a few drawings of a fine young soloist from the Mousai Singers.

Before the performance  Daniel Cook conducting 10 second sketch KW 2018

Faure: Daniel Cook – wing pressing on ear – this is where I spent the time concentrating on the movements of individual bodies in response to music.

Mantas’ Serenade for Strings: the notes are crying; like a carpet for sleeping; the music strokes my arms (I wrote these words before reading about the music and its’ inspiration/dedication)

 

quick drawing of Daniel KW 2018   Soloist quick drawing KW JAM 2018  soloist small file

On the final day there was an exhibition of works in progress, and in the afternoon Grahame and I gave a talk about creativity, inspiration, and dreams. Grahame read aloud some of his poems, and I spoke about a few of the works I’d made, and about the process of working alongside classical music.

TalkTin Tab  Grahame reciting a poem 2018 JAM

Iona works on display  Tin Tab display  Tin Tab framed works  unframed works on display

On my way home I stayed near Eastbourne and I caught the train to London – so I could go to the Queens’ Gallery to see the exhibition of Mughal Paintings – I’m a big fan! and it didn’t disappoint…

Goache painting Indian sub continent

and I was entranced by the golden lilies in my aunt’s garden…

golden lily gift smaller file

which continued the golden theme…and then there was West Bay in Dorset… 

West Bay gold

and finally another reminder of beloved Shetland… a fish box seen by the harbour at West Bay…

fish box

After a long and hot drive via a swim at Charmouth (very hot car without air-conditioning!) and staying overnight with friends in Dorset, I arrived on the beautiful Romney Marsh. Even as you leave Rye something changes. It’s like stepping back in time: the roads narrow, become twisty; there are railway tracks with barely any… Read more »